It is important to note that what most people consider a «song» is actually two components: composition (musical notes and texts that compose a song created by composers) and original recorded audio (recording of musicians who play the song, created by the artists). Often, composers and artists are the same people, but not always. These song components can be owned separately by different entities. For this reason, there are two types of licenses to protect both types of creations: 1) a mechanical license (audio only) or a synchronization license (video) for the composer to protect the composition, and 2) a master license for the recording artist to protect the original recording. It is important to understand both components and types of licenses when the authorization of a «song» is obtained: another important element of a licensing agreement defines the timing of the agreement. Many licensees insist on a strict marketing date for products that are granted to external manufacturers. Finally, it is not in the licensee`s interest to license a company that never markets the product. The licensing agreement also contains provisions relating to the duration of the contract, renewal options and termination terms. If you`re using an existing record made by someone else, even if it`s just a small example, you need a master`s degree. For example, if you`re palpating part of a David Bowie song, even if it`s just a bass line, you need a master`s degree. If you`re recording while singing on a karaoke track or signing your chorus on backing tracks, you need a Master`s license. You may want to use an entire original recording, for example.
B for a promotional or corporate video. If so, you need a master`s degree. Other frequent uses are mash-ups, derivative works, interpolations, advertising campaigns, television, film, stage productions and retail products. A master`s degree is required for all of these applications. Often it is not possible to obtain a license for the original master recording (for example. B an original Michael Jackson record), because the owner can set any price and refuse the license. That`s why many takers prefer «Sound-alikes» – new recordings that look like the original recording. Several companies have perfected the art of creating sound-winning Alikes, Grammy-winning talent and the same musicians who travel with highly popular acts for high-end sound. While this may not be an option for all licensees, sound-type return tracks offer a creative alternative if the original master recording is not an option.